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NEGATIVE PAINTED
CERAMIC CUP
MISSISSIPPIAN PERIOD
CAHOKIA MOUNDS AREA

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COPYRIGHT MARCH 31, 2008 PETER A. BOSTROM
Example of a negative painted water bottle from Arkansas.
EXAMPLE OF A NEGATIVE PAINTED BOTTLE
MISSISSIPPIAN PERIOD
ARKANSAS
PRIVATE COLLECTION

     This small negative painted cup appears to be a ritual item that was made for a very specialized use. It's exceptionally well made by someone who was skilled in making ceramic vessels. The surface is very smooth and polished. Its thickest measurement is at the base and then tapers nicely to a very even edge that measures less than 1 mm. It measures 2 3/4 inches (7 cm) in diameter and 1 inch (2.6 cm) high.

Three views of small negative painted cup from Cahokia.
CLICK ON PICTURE FOR LARGER IMAGE
 NEGATIVE PAINTED CERAMIC CUP
MISSISSIPPIAN PERIOD
MADISON & ST. CLAIR COUNTIES, ILLINOIS
PRIVATE COLLECTION

     This picture shows the small negative painted cup in three views, top, bottom and edge. Some of the engraving has been digitally enhanced. The painted design seems to be very complicated. Further investigation with better technology might determine more of the pattern.
  
This small cup is exceptionally well made by someone who was skilled in making ceramic vessels. The surface is very smooth and polished. Its thickest measurement is at the base and then tapers nicely to a very even edge that measures less than 1 mm. It measures 2 3/4 inches (7 cm) in diameter and 1 inch (2.6 cm) high.

     One of the most important features about this cup is the negative paint technique by which it was decorated. The complicated design is painted on both the inside and outside surfaces. Carl Chapman describes the procedure as, "It is achieved by painting the design with a substance that resists taking the color. Thus when the color is applied, only the untreated areas receive it." Negative painted ceramics from the Cahokia area, or anywhere else in the Mississippi Valley region, are rare. Most of the known examples of negative painted pottery from the Cahokia area have been reported from mound 34.

Four negative painted potsherds from Cahokia.
PHOTO BY GREGORY PERINO
NEGATIVE PAINTED POTSHERDS
MOUND 34---THE CAHOKIA MOUNDS SITE
MADISON & ST. CLAIR COUNTIES, ILLINOIS

    Very little evidence of negative painted ceramic vessels have been found in the area on or around the Cahokia Mounds site. Most of the examples pictured here are reported to have been found at mound 34 at Cahokia. They represent part of only a handful that are known from the site. The interesting feature, as it relates to the small negative painted cup in this article, is the fragment that is painted with ninety degree angles within ninety degree angles. This is a similar design that is found on the small cup.

    Mound 34 is a ceremonial platform mound that was built in several stages. Its considered to be a place where rituals were once being performed. This site has produced many exotic artifacts that relate to the Southeastern Ceremonial Complex or Southern Cult. Some of the more interesting artifacts found there include engraved whelk shell cup fragments, drilled sharks teeth, flaked stone sharks teeth, arrow points made of bone and negative painted potsherds.

Potsherd engraved with square design from Cahokia.
PHOTO BY GREGORY PERINO
ENGRAVED POTTERY SHARD
CAHOKIA MOUNDS SITE
MADISON & ST. CLAIR COUNTIES, ILLINOIS

     This engraved pottery fragment was found by Gregory Perino in a large pit, several years ago, just west of mound 34. It's part of what once may have been a pot the size of a bushel basket. It's most interesting feature is the engraved, square-within-style, design pattern. This is very similar to the design on the small negative painted cup.

     The design on the surface of this negative painted cup is very faint but enough can be seen to know that it's very complex. The main design feature seems to be geometric in form with repeated images of squares within squares. Similar design patterns have been found on broken potsherds from Cahokia. These are in the form of both engraved and negative painted ceramics. The geometric forms are lines of ninety degree angles within ninety degree angles. Several of these have been found at mound 34. Other design patterns on the cup might be revealed by further study and more technical equipment.

Flood of 1954 water damage on Cahokia Mounds site.
PHOTO BY GREGORY PERINO
CLICK ON PICTURE FOR LARGER IMAGE
CAHOKIA SITE FLOOD OF 1954
BETWEEN MOUNDS 19 AND 20
CAHOKIA MOUNDS SITE
MADISON AND ST. CLAIR COUNTIES, ILLINOIS

     This picture was taken in 1954 by Gregory Perino. It shows the extensive damage the "great flood" of that year did to one of the fields on the Cahokia Mounds site. Large numbers of artifacts are reported to have been found in these washouts after the flood, and in fact, several people can be seen in the picture looking for artifacts. It's possible that the negative painted cup described in this article may have been found during this event. It's so delicate that it was probably found somewhere in a washout after a heavy rain rather than brought to the surface by heavy farm equipment.

      This small cup is the only complete  example of a negative painted ceramic vessel that's been reported from southern Illinois, in the area around the Cahokia Mounds site. Because of its rare form of painting technique, design pattern and skill in manufacture its likely that it relates to ceramic vessels that were once used in some type of ceremonial context. It's design pattern also relates to patterns found on pottery from Cahokia. It seems likely that this negative painted cup is related to the Cahokia Mounds site in some way and was once used in some type of ritual activity.

"REFERENCES"

1964, Chapman, Carl H. & Chapman, Eleanor F., "Indians And Archaeology Of Missouri, pp. 69 & 296.
1976, Hathcock, Roy, "Ancient Indian Pottery Of The Mississippi River Valley," p. 14.
1989, Fowler, Melvin, "The Cahokia Atlas, A Historical Atlas Of Cahokia Archaeology," p. 54.
1996, Hilgeman, Sherri L., "New Fire Ceremony Plates At The Angel Site," Glenn A. Black Laboratory Of Archaeology, Indiana University, web site.
2004, Steponaitis, Vincas P. and Knight, Vernon J., Jr., Hero Hawk And Open Hand, "Moundville Art In Historical And Social Context," p. 174.
Personal communications with Larry Kinsella.

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