PAGE 1
PREHISTORIC OWL
IMAGERY & MYTH
WORLDWIDE
est. 35,000 YEARS AGO TO RECENT PAST
PAGE 1 OF 1 PAGES
COPYRIGHT APRIL 30, 2014 PETER A. BOSTROM
Abstract image of owls.
GREAT HORNED OWLS AND OWL EFFIGY PENDANT
FROM SOUTHERN ILLINOIS

Abstract image of owls.

ABSTRACT
PREHISTORIC OWL IMAGERY & MYTH
WORLDWIDE
35,000 YEARS AGO TO RECENT PAST

    This article illustrates and describes several examples of prehistoric images of owls that have been engraved on cave walls and sculpted in stone, bone and clay. They show how varied the image of an owl can be, from simple to complex, and still project a strong emblematic image. Owl imagery also has a long history among ancient cultures, as early as 35,000 years ago. Oral and written history of owl related myths in cultures around the world can range from the powerful and fearful to the benign and honorable.

    "In almost every part of or world the owl has held a fascination for mankind at one time or another. Sometimes the bird has been worshipped as a lofty oracle. Other times its eerie cries and staring eyes have made it feared as an evil sorcerer."--------1967, Faith Medlin, "Centuries Of Owls, In Art And The Written Word." p. 13.
     "As nocturnal predators, owls are linked with the feminine, night, the moon, death, magic, and dreams."----2006, Hope B. Werness, "The Continuum, Encyclopedia Of Animal Symbolism In Art," p. 303.
    "The bones of snowy owls have been found in various caves (
in France), and more than 1,100 bones from more than eighty large owls have been found in association with Paleolithic tools."---------2008, Darryl Wheye & Donald Kennedy, "Humans, Nature, And Birds, Science Art From Cave Walls To Computer Screens," p. 24.
    "---Paleolithic bird images were not as widely produced (
in French cave sites) as the megafauna were---."------2008, Darryl Wheye & Donald Kennedy, "Humans, Nature, And Birds, Science Art From Cave Walls To Computer Screens," p. 2.
    "
----2006, Vance T. Holliday & Rolfe D. Mandel, "Geoarcheology Of The Plains, Southwest, And Great Lakes," Handbook Of North American Indians, Vol. 4 Environment, Origins, and Population (Smithsonian), p. 30.
     "A man became a shaman from the moment he received a soul in his body. Chebero (who live on the tributaries of the upper Amazon River) medicine men were trained in their art by an owl."----1949, Alfred Metraux, "Religion And Shamanism," Handbook Of South American Indians, Vol. 5, The Comparative Ethnology Of South American Indians (Smithsonian), p. 591.
   "Vapor inhalants are employed in some respiratory ailments (among the Aymara of Peru & Bolivia) and burning owl feathers are used to cure earache."----1946, Harry Tschopik, Jr., "The Aymara," Handbook Of South American Indians, Vol. 2, The Andean Civilizations (Smithsonian) p. 569.
    "---(among the Yahgan of the southern Andean Mountains) the call of the owl was supposed to portend a murder or at least a death."----1946, John M. Cooper, "The Yahgan," Handbook Of South American Indians, Vol. 1, The Marginal Tribes (Smithsonian) p. 102.
    "To some of the river plains tribes (in the central South American continent), certain birds say, "Danger! White people are near." Another bird sings, "The brethren are coming!" And the big owl says, "Beware" I am bringing spirits to harm you."----1946, Juan Belaieff, "The Present-Day Indians Of The Gran Chaco," Handbook Of South American Indians, Vol. 1, The Marginal Tribes (Smithsonian) p. 380.
      
"Among the Sioux, Hin-Han the owl guards the entrance to the Milky Way over which the souls of the dead must pass to reach the spirit land. Those who fail the owl's inspection because they do not have the proper tattoo on their wrists or elsewhere is thrown into the bottomless abyss. On-the-other-hand, among some nations, the owl is a wise and friendly spirit and advisor and warning giver."--------1984, Richard Erdoes, & Alfonso Ortiz, "American Indian Myths And Legends," p. 400.

Abstract image of owls.
 
PREHISTORIC OWL IMAGERY & MYTH
WORLDWIDE
35,000 YEARS AGO TO RECENT PAST

     People have been creating images and mythic stories about owls for tens of thousands of years. They have been portrayed in every imaginable form on everything from cave walls to small portable objects. The mystical energy they project most certainly comes from their power of acute vision, silent flight, powerful claws, and, most importantly, they are creatures of the night.

Pictures of 16 prehistoric owl effigies and engravings.
CLICK ON PICTURE FOR LARGER IMAGE
OWL IMAGES IN STONE, BONE, AND CLAY
ILLINOIS, MISSOURI, OHIO, MISSISSIPPI, COSTA RICA & FRANCE

    This assortment of prehistoric owl figures illustrate how diverse a design style can be and still project a fairly strong owl image in the mind of the observer. The images range from a simple slightly altered pebble to very natural full body sculptures.
1. This small clay head is reported to have been found on the Cahokia Mounds site. Although it has no eyes, the round shape of the head and the beak are features that present the image as an owl. The lower portion of the head is broken away indicating that it was probably once attached to some type of ceramic vessel. It measures 5/8 inch (1.6 cm) high.
2. This computerized image shows the basic design pattern of an owl effigy pipe that was found on a site in northeastern Kentucky. The bowl is located behind the neck area. It's made from a very fine green-gray Ohio pipestone and measures approximately 2 1/2 inches (6.4 cm) long.
3. This is an exceptionally nice example of an effigy platform pipe from the Knight site in southern Illinois. It skillfully illustrates the full standing figure of an owl. The carving of the feet, claws, feathers and features of the head are all very well done. This pipe was once in the Dr. Titterington collection and is known as the "Titterington pipe."
4.
A common form of Costa Rican owl effigy mace head. Costa Rican stone maces are unique for their many different carved forms that illustrate both the natural and metaphysical world. In Mesoamerica the owl is connected to the underworld and the abode of the dead but also to a warrior class. This Costa Rican owl mace may have once belonged to members of a warrior caste of wealthy individuals. It was found on a site in the central highlands of Costa Rica. It's made of a granite-like stone and it measures 2 inches (5.1 cm) high.
5. This clay effigy represents a stylized version of a full figured standing owl. It's main design features are the "horns," beak, extended tail, legs and side to side perforation. The perforation indicates it was probably worn as a pendant. Although the form seems odd, it does represent a design type that has been reported from sites farther to the east.  It was found at Mound 72 on the Cahokia Mounds site in southern Illinois. It measures approximately 1 3/4 inches (4.5 cm) long.
6. A small fluorite bead that was found many years ago on the Cahokia Mounds site in southern Illinois. Owl fluorite beads are rare but other examples have been reported.
7.
This carved bone owl effigy was found several years ago by Fred Bollinger in Scott County, Missouri. Although it's not finely carved and does have some damage at the bottom front where the feet may have been, it does have enough design features to identify it as an owl. It has a round head, large eyes, two "horns," and engraved wings. The deeply grooved neck suggests that it may have been suspended from the groove. The bone may be identified as deer. It measures 1 11/16 inches (4.3 cm) long.
8. A computerized likeness of a carved bone owl effigy that was found with a burial on the Campbell site in southeastern Missouri. It's described as a, "remarkably well-preserved carved bone owl effigy pendant that was recovered in association with a child." It was positioned at the neck of the individual and most probably was used as a pendant. The bone is drilled at the neck from front to back and it has nicely carved feet. It was carved from the second phalanx (toe bone) of an adult deer and measures 1 5/8 inches (4.2 cm) long.
9. This owl effigy pendant is believed to have been found on the Cahokia Mounds site in southern Illinois. The lower portion has broken away, but the main upper portion is preserved. Although there is no beak, the round shape of the head, large eyes, and the two "horns" very effectively portray the image of an owl. The "horns" suggest that it may represent a great horned owl. The eyes are deeply drilled and may once have contained some type of inlay material. There are two smaller suspension holes at the upper chest which may have served to hold the image flat against the body if it was worn as an ornament suspended from the neck. This pendant is made of canal coal and it measures 1 1/4 inches (3.2 cm) long.
10.
This pipe was originally in the Claude Stone collection. It's illustrated in an early issue of the Journal Of The Illinois State Archaeological Society over a caption saying it's described in another issue. It's a good example of a stone carved owl with large eyes and the often represented "horns" on the top of the head.
11. This picture shows an excellent example of a Poverty Point culture animal effigy bead. It was found on a Late Archaic site in Louisiana near the Poverty Point site. This bead was skillfully crafted from hard stone by pecking, grinding, and polishing into the form of an owl. The beak, wings, and feet are well represented.
12. This is a nice example of a Costa Rican owl effigy mace head. Costa Rican stone maces are unique for their many different carved forms that illustrate both the natural and metaphysical world. In Mesoamerica the owl is connected to the underworld and the abode of the dead but also to a warrior class. This Costa Rican owl mace may have once belonged to members of a warrior caste of wealthy individuals. It was found on a site in the central highlands of Costa Rica.
13.
This simple owl effigy pendant is reported to have been found in Jackson County, Illinois by Don Ethenton on a multi-component camp site. The site produced both Mississippian and Woodland artifacts. The main design features are the large eyes and the two "horns." The "horns" indicate that it probably represents a great horned owl. The eyes are very shallow and were formed by hard stone pecking. The "horns" were formed by notching the top center of the head. The shape of the head follows the natural shape of the pebble. The identifying suspension feature is in the form of a fairly deep notch that encircles the narrow end of the pebble. It appears to have been suspended in an inverted position. This owl pendant was made on a small hard-stone pebble and it measures 1 3/8 inches (3.5 cm) long.
14. These two images are computerized likeness of two engraved owls that were discovered on a cave wall in southwestern France. The cave site is known as the Les Trois Freres (three brothers) cave. A third smaller owl, that is described as a chick, was also found situated between the two. They are referred to as snowy owls because they have no feather-horns and the bones of snowy owls have been found on many early cave sites. These engravings are believed to date to at least 17,000 years ago.
15. This picture shows a computerized likeness of the oldest image of an owl. It's actually the only known example of an owl in Paleolithic art. It was discovered on a Paleolithic site in southern France called Chauvet cave. The engraving, of what has been identified as a great horned owl, is situated on an overhanging rock next to the image of a horse. It's described as "a finger tracing of an owl in the soft outer layer of the cave wall." One description interprets the image as an owl looking backwards over its back. This engraved owl dates to sometime between 32,000 and 35,000 years ago.

    The history of owls are recorded in the fossil record as early as 60 million years ago. There are over 200 species of owls living today. Almost everyone on the planet has some type of owl living in their local environment, except in Antarctica and on some oceanic islands. In-other-words, owls have been and still are, well established within earth's natural terrestrial ecosystem.

Oldest owl engraving in Chauvet Cave, computer generated.
COMPUTERIZED LIKENESS OF ORIGINAL CAVE ENGRAVING
ENGRAVED OWL ON CAVE WALL
CHAUVET CAVE
SOUTHERN FRANCE
32,000 TO 35,000 YEARS AGO

     This picture shows a computerized likeness of the oldest image of an owl. It's actually the only known example of an owl in Paleolithic art. It was discovered on a Paleolithic site in southern France called Chauvet cave. The engraving, of what has been identified as a great horned owl, is situated on an overhanging rock next to the image of a horse. It's described as "a finger tracing of an owl in the soft outer layer of the cave wall." One description interprets the image as an owl looking backwards over its back. This engraved owl dates to sometime between 32,000 and 35,000 years ago.

     Image recognition in primitive art is important. The most impressive examples are made with the least amount of lines, but project a strong and powerful image. They represent some of the most difficult style of art to produce.  Prehistoric artists left behind an enormous variety of animal figures for modern art historians to study and interpret. These early craftsmen were producing this type of art from the very beginning of art history, during the Upper Paleolithic period, when simple images of owls begin to appear.

Two owl engraving in Upper Paleolithic cave in France.
COMPUTERIZED LIKENESS OF ORIGINAL CAVE ENGRAVING
ENGRAVED OWLS ON CAVE WALL
LES TROIS FRERIS (THREE BROTHERS) CAVE
SOUTHWESTERN FRANCE
est. 17,000 YEARS AGO

     This picture shows a computerized likeness of two engraved owls that were discovered on a cave wall in southwestern France. The cave site is known as the Les Trois Freres (three brothers) cave. A third smaller owl, that is described as a chick, was also found situated between the two. They are referred to as snowy owls because they have no feather-horns and the bones of snowy owls have been found on many early cave sites. It's reported that more than 1,100 bones from more than eighty snowy owls have been found in association with Paleolithic tools. These engravings are believed to date to at least 17,000 years ago.
    Les Trois Freres cave also has an image of a human with an owl-shaped head, along with antlers, paws, and a tail. This image may depict a shaman in a trance ritual.

    The most important design features that owls have, that set them apart from other birds, are large round heads, large forward looking eyes, and a sharp downward curved beak. The "horns" of great horned owls are also often represented on prehistoric owl art.

Owl effigy bead, Poverty Point Culture, Louisiana.
CLICK ON PICTURE FOR LARGER IMAGE
OWL BEAD
POVERTY POINT CULTURE
LATE ARCHAIC
LOUISIANA
est. 3,200 YEARS AGO

     This picture shows an excellent example of a Poverty Point culture animal effigy bead. It was found on a Late Archaic site in Louisiana near the Poverty Point site. This bead was skillfully crafted from hard stone by pecking, grinding, and polishing into the form of an owl. The beak, wings, and feet are well represented. It dates to sometime around 3,200 years ago.
   The Poverty Point culture developed a tradition of making high quality stylized carved and polished miniature stone beads. Other early cultures in the United States rarely used stone to make their beads opting for softer materials such as shell or bone. Poverty Point craftsmen made many of their beads in the image of animals that were common to their environment at that time.
   Poverty Point is the largest and most complex Late Archaic site in North America. It was discovered in 1953 by an archaeologist who discovered the peculiar earthworks on aerial photographs taken by an Army mapmaker. This site is located in northeastern Louisiana in West Carroll County. It was in use for over one thousand years dating to between 3800 and 2500 years ago. These people produced the largest Archaic Period earthworks ever built in the United States.

    The most impressive images of owls are the earliest examples that were engraved on cave walls in southern France during the upper Paleolithic period. Most prehistoric owl figures are preserved in the form of small carved and sculpted portable objects. In the eastern United States, they were made of hard stone, canal coal, fluorite crystal, bone, and clay. Many more were probably carved in wood.

Owl effigy pendant, Cahokia Mounds site, canal coal.
OWL EFFIGY PENDANT
CAHOKIA MOUNDS SITE
MADISON/ST. CLAIR COUNTIES, ILLINOIS

    This owl effigy pendant is believed to have been found on the Cahokia Mounds site in southern Illinois. Although the lower portion has broken away, the main upper portion is preserved. Although there is no beak, the round shape of the head, large eyes, and the two "horns" very effectively portray the image of an owl. The "horns" suggest that it may represent a great horned owl that have feathered horn-like projections on the top of their heads. The eyes are deeply drilled and may once have contained some type of inlay material. There are two smaller suspension holes at the upper chest which may have served to hold the image flat against the body if it was worn as an ornament suspended from the neck. This pendant is made of canal coal and it measures 1 1/4 inches (3.2 cm) long.

    The earliest depictions of owls appear during the Upper Paleolithic period, within the Aurignacian cultural tradition. These are the people who are recognized as the first modern humans in Europe. The first image of an owl is reported from Chauvet cave in southern France and dates to sometime between 32,000 and 35,000 years ago. It's described as "a finger tracing of an owl in the soft outer layer of the cave wall." The engraving is situated on an overhanging rock next to the image of a horse. The owl appears to be looking backwards over its back.

Owl effigy pendant, southern Illinois, hard stone.
OWL EFFIGY PENDANT
JACKSON COUNTY, ILLINOIS

     This simple owl effigy pendant is reported to have been found in Jackson County, Illinois by Don Ethenton on a multi-component camp site. The site produced both Mississippian and Woodland artifacts. The main design features are the large eyes and the two "horns." The "horns" indicate that it probably represents a great horned owl. The eyes are very shallow and were formed by hard stone pecking. The "horns" were formed by notching the top center of the head. The shape of the head follows the natural shape of the pebble. The identifying suspension feature is in the form of a fairly deep notch that encircles the narrow end of the pebble. It appears to have been suspended in an inverted position. This owl pendant was made on a small hard-stone pebble and it measures 1 3/8 inches (3.5 cm) long.

     More recent engravings of owls date to 17,000 years ago and are reported from another Upper Paleolithic cave site in southwestern France. A group of three owls were discovered on a cave wall in Les Trois Freres (three brothers) cave. They are described as two adult and one smaller owl, that is identified as a chick. The smaller owl is situated between the two larger owls. They are referred to as snowy owls because they have no feather-horns and the bones of snowy owls have been found on many early cave sites. It's reported that more than 1,100 bones from more than eighty snowy owls have been found in association with Paleolithic tools.

Bone carved owl effigy, Scott County, Missouri.
CLICK ON PICTURE FOR LARGER IMAGE
OWL EFFIGY
MISSISSIPPIAN CULTURE
SCOTT COUNTY, MISSOURI

     This carved bone owl effigy was found several years ago by Fred Bollinger in Scott County, Missouri. Although it's not finely carved and does have some damage at the bottom front where the feet may have been, it does have enough features to identify it as an owl. It has a round head, large eyes, two "horns," and engraved wings. The deeply grooved neck suggests that it may have been suspended from the groove. This bone carved owl may have been made from deer bone and it measures 1 11/16 inches (4.3 cm) long.
    Other examples of bone carved owls have been reported from this same region. A very finely crafted example is reported from a burial on the Campbell site in Pemiscot County, Missouri. It's described as a, "remarkably well-preserved carved bone owl effigy pendant that was recovered in association with a child." It was positioned at the neck of the individual and most probably was used as a pendant. The bone is drilled at the neck from front to back and it has nicely carved feet. It was carved from the second phalanx (toe bone) of an adult deer and measures 1 5/8 inches (4.2 cm) long.
    Another bone carved bird effigy from Arkansas is described as, "reminiscent of an owl." It was found in a mound in Lafayette County. Another example is reported from a Middle Mississippian village site near Memphis, Tennessee and described as a pendant that was carved from a deer phalange to resemble an owl." Two other owl bone pendants are reported from separate sites. One example was found on the little Harpeth River in Williamson County, Tennessee and the other is a second bone owl found on the Campbell site in Scott County, Missouri. The Harpeth River bone owl is reported to have been found in associated with a child burial.

   In the past and around the world, owls have been seen more as a negative influence. They have been linked to death, magic, the underworld, harbingers of disaster, darkness, demons, prophesy, north wind, witchcraft, drought, a god of death, bird of ill omen and demonic influences, just to name a few. But on the other hand, they were seen by the Greeks as wise, by the Aztecs as having a powerful force of rejuvenation, and by the Australian aborigines as a sacred bird associated with rain, water and birth.

Owl effigy water bottle from Tennessee.
20th Annual Report Of The Bureau Of American Ethnology, Smithsonian Institution, 1898-1899
PAINTED OWL EFFIGY BOTTLE
TENNESSEE

    This ceramic bottle is one of the nicest examples of an owl effigy that has been found in the Middle Mississippi Valley region. It was illustrated by Powell in 1903 in an issue of "The Bureau Of American Ethnology." He reports that it was found in Tennessee and that "The delineation of the painted specimen "c" is unusually realistic, and the general appearance recalls very forcibly the painted owl vases of the Tusayan (Pueblo) tribes and the more ancient occupants of the valley of the Rio Colorado."

    On the topic of rebirth and reincarnation, some tribal groups have had a belief in human-to-animal, animal-to-human, and human-to-human transformations. In Amerindian and Inuit Reincarnation references, Mills reports 279 references of human-to-human and 77 references of humans transforming to animals after death or transforming from animals to humans at birth. Boas (1896) reported that Kwakiutl (Pacific northwest coast) land hunters were thought to return as wolves and that sea hunters returned as killer whales but that common people returned as owls or ghosts. Devereux (1961) reported that the Mohave people (Mohave Desert area, California) became spirits after death then transformed into a "different kind of owl" three different times, then into a beetle and lastly into air.

Owl effigy forms in clay from the Cahokia Mounds site.
OWL EFFIGIES MADE FROM CLAY
CAHOKIA MOUNDS SITE
MADISON & ST. CLAIR COUNTIES, ILLINOIS

    Both of these clay owl effigies were found on the Cahokia Mounds site in southern Illinois. The example on the right has no eyes but the round shape of the head and the beak are features that make the figure appear to look like an owl. The lower portion of the head is broken away indicating that it was probably once attached to some type of ceramic vessel.
    The clay effigy on the left was found at Mound 19 on the Cahokia Mounds site. It represents a stylized version of a full figured standing owl. It's main design features are the "horns," beak, tail, legs, extended front, and side to side perforation. The perforation indicates it was probably worn as a pendant. Although the form seems odd, it does represent a design type that has been reported from sites farther to the east. It measures approximately 1 3/4 inches (4.5 cm) long.

     Many areas of the world associate the owl with the moon and the moon with the feminine. In fact, the Latin word for owl is stix, which also means wise woman and witch. The moon association may be why owls are so often associated with goddesses, female spirits, wise women, midwives, and witches. As an example, Lakshmi, the Hindu Goddess of wealth, prosperity, fortune, and the embodiment of beauty, uses an owl as her vehicle.

Owl effigy platform pipe from southern Illinois, Hopewell.
PHOTO BY BILL FECHT and DENNIS VESPER----CLEM CALDWELL COLLECTION
OWL EFFIGY PLATFORM PIPE
KNIGHT SITE
MIDDLE WOODLAND HOPEWELL CULTURE
CALHOUN COUNTY, ILLINOIS

    This picture shows an exceptionally nice example of an effigy platform pipe that was found on the Knight site in southern Illinois. It skillfully illustrates the full image of a standing owl. The carving of the feet, claws, feathers and features of the head are all very well done. This pipe was once in the Dr. Titterington collection and is known as the "Titterington pipe."
    Hopewell craftsmen are known for their finely crafted animal effigy platform pipes. Some of the best examples were found in 1915, during excavation of Tremper Mound in Scioto County, Ohio.
The Tremper Mound pipes include sculptured images of owls, hawks, ducks, cranes, quail, prairie chicken, crow, toads, turtles, beaver, otter, mink, raccoon, rabbit, squirrel, porcupine, possum, fox, wolf, bobcat, bear, mountain lion, dog and deer.

    In a complex way, the nocturnal owl is connected with the moon and the idea of a "different way of knowing or being." It has to do with the idea of the reflected light of the moon as compared to the direct light of the sun. In-other-words, the reflected light of the moon may be interpreted as indirect knowledge. This "indirect way of knowing concept" is why owls may be connected so often to seers, shamans, or even second sight (perceiving things that are not present to the senses).

Owl effigy pipe from Kentucky.
COMPUTERIZED LIKENESS OF ORIGINAL PIPE
"ARTIFACTS," Vol. 7, ISSUE No. 1, 1976

OWL EFFIGY PIPE
HARDIN VILLAGE SITE
GREENUP, KENTUCKY

    This computerized image shows the basic design pattern of an owl effigy pipe that was found on a site in northeastern Kentucky. The bowl is located behind the neck area. It's made from a very fine green-gray Ohio pipestone and measures approximately 2 1/2 inches (6.4 cm) long.

     In Mesoamerica the owl is connected to the underworld and the abode of the dead but also to a warrior class. At Teotihuacán (central Mexico), owls are depicted on stone sculpture and ceramics as wearing weapons and shields. The Peruvian Moche culture also depicts the owl as a warrior. Costa Rican owl maces are believed to have once belonged to members of a warrior caste of wealthy individuals.

Owl effigy pipe from Illinois.
COMPUTERIZED LIKENESS OF ORIGINAL PIPE,
JOURNAL OF THE ILLINOIS STATE ARCHAEOLOGICAL SOCIETY, VOL. 7, NO. 2, 1949
OWL EFFIGY PIPE
ILLINOIS

    This pipe was originally in the Claude Stone collection. It's illustrated in an early issue of the Journal Of The Illinois State Archaeological Society over a caption saying it's "described in another issue." It's a good example of a stone carved owl effigy pipe, complete with the  large eyes and "horns" to identify it as a great horned owl.

     In South American, the owl is mentioned in different myths, both in a positive and negative way. The Chamacoco, of southern Brazil and Paraguay, are said to have received fire from the "culture hero" who is in the form of a hawk who in turn received it directly from the owl. In the southern area of South America, known as the Gran Chaco, in Bolivia, Paraguay and northern Argentina, the owl is reported by some people as a harbinger of ill tidings who says, "Beware! I am bringing spirits to harm you." The Yahgan of southern Chile are also reported to believe the call of the owl could mean a murder or someone may die. On-the-other-hand, the Aymara of the Andes Mountains of Bolivia, Peru, and Chile describe a curative effect for earache by burning owl feathers. The Chebero, of the upper Amazon River, believed that medicine men were trained by an owl.

Bone carved owl effigy from southern Missouri.
COMPUTERIZED LIKENESS OF ORIGINAL BONE CARVING,
BULLETIN OF THE ARKANSAS ARCHAEOLOGICAL SOCIETY, VOL. 16, 17, 18

BONE CARVED OWL EFFIGY
CAMPBELL SITE
PEMISCOT COUNTY, MISSOURI

    This picture illustrates a drawing and computerized likeness of a carved bone owl effigy that was found with a burial on the Campbell site in southeastern Missouri. It's described as a, "remarkably well-preserved carved bone owl effigy pendant that was recovered in association with a child." It was positioned at the neck of the individual and most probably was used as a pendant. The bone is drilled at the neck from front to back and it has nicely carved feet. It was carved from the second phalanx (toe bone) of an adult deer and measures 1 5/8 inches (4.2 cm) long.
    Other examples of bone carved owls have been reported from Arkansas & Tennessee. A bone carved bird effigy from Arkansas is described as, "reminiscent of an owl." It was found in a mound in Lafayette County. Another example is reported from a Middle Mississippian village site near Memphis, Tennessee and described as a pendant that was carved from a deer phalange to resemble an owl." Two other owl bone pendants are reported from separate sites. One example was found on the little Harpeth River in Williamson County, Tennessee and the other is a second bone owl found on the Campbell site in Scott County, Missouri. The Harpeth River bone owl is reported to have been found in associated with a child burial.

    It's also interesting to note that the owl is not regarded as anything positive in biblical texts. There is a warning not to eat the owl and that it's also dreadful to hear. For example, in Isaiah, a bad place is described as, "But wild beasts of the desert shall lie there; and their houses shall be full of doleful creatures; and owls shall dwell there, and satyrs shall dance there. Or a quote from the book of Job says, "I am a brother to dragons, and a companion to owls." Buddhist and Hindu tradition also regard owls as demonic and unlucky.

Owl mace heads from Costa Rica.
OWL MACE HEADS
COSTA RICA, CENTRAL AMERICA
est. A.D. 300 TO 1550

     This picture shows two common forms of Costa Rican owl effigy mace heads. Costa Rican stone maces are unique for their many different carved forms that illustrate both the natural and metaphysical world. Some of the images are represented in highly stylized forms. Costa Rican maces are typically found in tombs with wealthy individuals, rather than in utilitarian contexts. Costa Rican maces were considered important and valued items within the culture.
    In Mesoamerica the owl is connected to the underworld and the abode of the dead but also to a warrior class. At Teotihuacán (
central Mexico), owls are depicted on stone sculpture and ceramics as wearing weapons and shields. The Peruvian Moche culture also depicts the owl as a warrior. These Costa Rican owl maces may have once belonged to members of a warrior caste of wealthy individuals. Both of these maces were found on sites in the central highland of Costa Rica. The example at left appears to be made of a granite-like stone and it measures 2 inches (5.1 cm) high.

     It's remarkable how the human mind has taken such a majestic animal as an owl and developed so many stories, myths, fables and folk tales. The owl has been used as a symbol of blame or praise for a long time by people trying to make sense of a mysterious world. The dreadful stories do seem to outweigh all the positive ones. Maybe rightly so, because the owl does have ghostly issues. If you've ever had one fly past your head on a dark night, it's silent, unexpected and startling, so ghost may be your first thought, until your mind settles for owl and life is good again.

"REFERENCES"

1896, Boas, Franz, "Sixth Report On The Indians Of British Columbia, In Report Of The 61st Meeting Of The British Association For The Advancement Of Science, 1891."
1903
, Powell, J. W., Twentieth Annual Report Of The Bureau Of American Ethnology To The Secretary Of The Smithsonian Institution, 1898-1899."
1946
, Cooper, John M., "The Yahgan," Handbook Of South American Indians, Vol. 1, The Marginal Tribes (Smithsonian).
1946
, Tschopik, Jr., Harry, "The Aymara," Handbook Of South American Indians, Vol. 2, The Andean Civilizations (Smithsonian).
1949
, Stone, Claude, "Journal of the Illinois State Archaeological Society, Vol. 7, No. 2."
1949
, Metraux, Alfred, "Religion And Shamanism," Handbook Of South American Indians, Vol. 5, The Comparative Ethnology Of South American Indians (Smithsonian).
1961
, Devereux, George, "Mohave Ethnopsychiatry And Suicide: The Psychiatric Knowledge And The Psychic Disturbances Of An Indian Tribe," Bureau Of American Ethnology Bulletin 175 (Smithsonian).
1967
, Medlin, Faith, "Centuries Of Owls, In Art And The Written Word."
1976
, ?, "Artifacts, Vol. 6, Issue No., 1," p. 12.
1977
, Klinger, Timothy C.,, "An Exceptional Example Of Carved Bone Technology From The Lower Mississippi Valley," The Arkansas Archaeologist, Bulletin Of The Arkansas Archaeologist Society, Vol. 16, 17, 18, 1975-76-77, pp. 93-98.
1984
, Erdoes, Richard, Ortiz, Alfonso, "American Indian Myths And Legends."
1994
, (edited by) Mills, Antonia & Slobodin, Richard, "Amerindian Rebirth: Reincarnation Belief Among North American Indians And Inuit."
2001
, Gibson, Jon L., "The Ancient Mounds Of Poverty Point."
2006
, Werness, Hope B., "The Continuum, Encyclopedia Of Animal Symbolism In Art."
2008, Wheye, Darryl & Kennedy, Donald, "Humans, Nature, And Birds, Science Art From Cave Walls To Computer Screens."
Personal Communication with, Mike Gramly.

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