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BIRDSTONES
EASTERN UNITED STATES
LATE ARCHAIC-EARLY WOODLAND
PAGE 2 OF 2 PAGES
COPYRIGHT MAY 31, 2009 PETER A. BOSTROM
2 birdstones and other artifacts, Caldwell collection.
PHOTO BY DENNIS VESPER--OF CLEM CALDWELL COLLECTION
BIRDSTONES
EASTERN UNITED STATES

   Two precariously stacked birdstones that were photographed a few years ago in the Clem Caldwell's collection. These two birds are setting on discoidals and what appears to be a pipe. Clem was known his daring arrangement of artifacts.

     Birdstones were made by first selecting an appropriate stone. Many of the slate birdstones, and other types, were probably made from water worn pebbles that would have required a minimum amount of work. Especially if the raw stone approximated the size of the intended finished item. The surface of the stone was first pecked into shape with a hammerstone. Next, heavy grinding would have been required to achieve the final shape. Chert flakes may also have been used to scrap the softer stone to shape difficult areas such as around delicate knobbed-eyes. The final process of polishing the surface would have been accomplished by using increasingly finer grit along with water and leather. The manufacturing process was not always successful. There have been some rejected examples of birdstones found that indicate they broke during manufacture.

6 birdstones, 5 have "popeyes" & one has a fantail.
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BIRDSTONES
EASTERN UNITED STATES

    These six exceptionally nice examples birdstones where photographed in a private collection. All but one have the knobbed or "pop" eyes that add so much to there impressive style. All of them are made of various types of hard stones. The two examples at lower right are made of porphyry. The one at top left appears to be made of quartz. The largest example in this picture, at center right side, was found Chittenden County, Vermont and it measures 4 1/2 inches (11.4 cm) long. The popeyed birdstone at lower right was found in Hancock, County, Ohio.

     Birdstones were also drilled for attachment. Holes were placed on the bottom at the front and back edges. Most birdstones were drilled with stone bits with the use of quartzite grit and water. A tapered flint drill will cut a conical hole 1/2 inch (1.2 cm) deep in slate in about ten minutes. There is also evidence that show these holes were used for some type of significant attachment. Many birdstones have been found that have their holes broken away. So it's likely they were fastened to something more than feathers or small items as a fetish would be used.

Two banded slate birdstones from Illinois.
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BIRDSTONES
ILLINOIS

   Both of these birdstones were found in Illinois. They represent the more common short body style. The one on top was found many years ago in Scott County. It measures 3 1/5 inches (8.9 cm) long. The lower birdstone was found in 1956 in Logan County. It measures 4 inches (10.1 cm) long.
   Illinois has not produced as many birdstones as some of the states farther to the east. These two examples represent the western distribution area for birdstones.

     Birdstones range in size from 1 inch (2.5 cm) to 9 3/4 inches (24.8 cm) long, 3/16 (5 mm) to 4 inches (10.2 cm) wide and 3/4 inch (1.9 cm) to 4 inches (10.2 cm) high. Their weight ranges from 1/4 ounce to 2 pounds.

Three banded slate fantail birdstones, Caldwell collection.
PHOTO BY DENNIS VESPER--OF CLEM CALDWELL'S COLLECTION
FANTAIL BIRDSTONES
EASTERN UNITED STATES

    These three fantail birdstones represent one of the most impressive types. They were photographed a few years ago in the Clem Caldwell collection. These long bodied birdstones are the longest type. The longer examples in this picture are around 7 inches (17.8 cm) long. This type is always made of slate. The craftsman who made them had to remove a significant amount of material in order to isolate the very wide fantail.

    The main theme of birdstones is of course birds which, for many cultures around the world, happens to be one of the most powerful talismans. It seems likely that there may have been some type of mythological understanding of the birdstone image by the people who were making them. The freedom and airy flight of birds have impressed humans for thousands of years. Their form has worked their way into endless legends and mythology. Many cultures, around the world, have recognized birds as the mechanism that transports or represents the human soul. They are also seen as communicators of knowledge and information between the earth and the spirit world. Shamans have used them as spirit helpers. The ancient Egyptian human headed bird ba carried the soul to the heavens, leaving the body behind. Owls are often associated with seers or people with second sight and serve them in the form of goddesses, female spirits, wise women, midwives and witches. The Yoruba in Africa especially value birds as having mystical powers in the form of female elders referred to as "our mothers."

Two "popeye" birdstones.
POPEYED BIRDSTONES
EASTERN UNITED STATES

    These two popeyed birdstones represents one of the more exotic or rare forms of birdstones. This is one of the styles that appear as though the birds are nested or at rest with wings folded and setting flat with body feathers spread wide on the ground or in a nest. The flatness and wide body design would also allow for a better more secure attachment to what ever object they were once attached to. They are both made of hard stone, which in this case is porphyry.

      Throughout history, different kinds of birds are seen as having good or bad qualities. The ancient Egyptian swift (memet) rode the sun god's ship as it passed each day through the underworld. They also recognized the goose, hawk and heron as representing the human soul. The hawk/falcon headed god Horus was originally seen as a sky/solar god then later became a protector of the pharaohs. Horus's eyes were the sun and the moon and his speckled plumage represented the starry sky. The goddess Nekhbet is represented by a vulture which is the bird of death. Owls are linked with the moon, death, magic and dreams. In some cultures, the falcon was seen as a warrior.


BIRDSTONE (DRILLED HOLES)
LOGAN COUNTY, ILLINOIS

    Almost all birdstones are flat on the bottom, with the exception of those rare examples that have "feet," and they have one hole drilled at the front edge and one at the back edge. The holes are conical in shape and they were drilled part way from each side. Most birdstones were drilled with stone bits with the use of quartzite grit and water. A tapered flint drill will cut a conical hole 1/2 inch (1.2 cm) deep in slate in about ten minutes. The pictures above show the two holes on the bottom of a banded slate birdstone found in Logan County, Illinois.
   There is evidence that show these holes were used for some type of significant attachment. Many birdstones have been found that have their holes broken away. So it's likely they were fastened to something more than feathers or small items as a fetish would be used.

     It's a good bet that no one will ever know for certain how or even if the Late Archaic and Early Woodland people viewed birdstones as having a mystical or mythological value. All that anyone can hope for now is to discover how they may have been physically used and to acquire more datable finds. So, in some ways, birdstones will remain mysterious---for a very very long time.

"REFERENCES"

1848, Squier, E. G. & Davis, E. H., "Ornaments Of Stone, Bone, Etc.," Ancient Monuments Of The Mississippi Valley, p. 239.
1896
, Wilson, Thomas, "Prehistoric Art; Or The Origin Of Art As Manifested In The Works Of Prehistoric Man," Report Of The U.S. National Museum, p. 450.
1898
, Williams, Frederick H. M.D., "Amulets," The American Archaeologist, Vol. 2, No. 8, pp. 200-202.
1912
, Hodge, Frederick Webb, "Bird-Stones," Handbook Of American Indians North Of Mexico, pp. 148-149.
1917
, Moorhead, Warren K., "Stone Ornaments Used By Indians In The United States And Canada," p. 88.
1959
, Townsend, Earl C., "Birdstones Of The North American Indian," pp. 3.
1975
, Tiell, William W., "The Incised Mouth Birdstone," Ohio Archaeologist, Vol. 25, No. 3, pp. 20 -21.
1979
, Fincham, Glenval, "A Novel Explanation Of The Origin And Development Of The Birdstone," Ohio Archaeologist, Vo. 29, No. 4, p p. 14-15.
1984
, Illustration, "Central States Archaeological Journal, Vol. 31, No. 3" p. 135.
1993
, Zakucia, John A., "The Birdstone, An Enigma Of The Prehistoric Past," Ohio Archaeologist, Vol. 43, No. 1, p. 27.
2003
, Skrivanie, Oliver T., "The Fab Five," Prehistoric American, Vol.37, No. 2, p. 4.
2004
, Power, Susan C., "Early Art Of The Southeastern Indians Feathered Serpents & Winged Beings," p. 28.
2006
, Werness, Hope B., "Bird," Animal Symbolism In Art, p. 44.
Personal Communication, Dennis Vesper.
Clem Caldwell Collection Pictures, Dennis Vesper.

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